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January 7, 2010 at 5:20 pm

Tough times ahead for Charities

So, just what is on the horizon for us in 2010?

There is of course going to be an election (finally!).  Some say it will be as early as March, others that Brown will push it until the last minute in May.

But here’s the thing… it barely matters which party gets elected, they are all going to have to do the same: CUT public spending. Sorry did I say cut? It won’t be called it that.  A phrase like “a radical overhaul of public expenditure” will be used to gloss over it.

Of the multiple, unpleasant effects that this will have, one will be to put more pressure on the third sector to try and deliver the services that government has unofficially washed its hands of.
 
Our fragile economy has been on life-support for the past twelve months. This is about to be switched off and, if it doesn’t just give up the ghost there and then, one of the early consequences is likely to be a rise in unemployment.

Simultaneously taxation, on those lucky enough to have a job, is going to rise steeply.

Net effect: fewer donors with less money in their pockets.

The great challenge to our sector this year will be to meet ever-increasing demands for resources with a falling income.

We are going to have to work incredibly hard to do that.  And we’re going to have to be open to the idea of working differently. The old way of doing things may simply no longer work.

We are entering a period of huge, dinosaur-toppling change.

Online will be more important than ever as charities search for ways to open up new income streams. 
We’re all aware of an explosion in the use of social media (watch out for the  inevitable cack-handed attempts of political parties to do an Obama with it as we head into election fever.)

Many charities have been cocking a suspicious eye towards Twitter and Facebook, and some (Dogs Trust, Adopt-a-Word, Childs-i, Oxfam, RSPB, Amnesty to name but a few) have grasped these new media with both hands.

Some of the more far-sighted charities have been preparing during 2009 by establishing new digital departments. Good move. While the rest of the sector puts a committee together to agree the wording of their first tweet, they will be well placed to start connecting with new supporters online and to begin developing their digital brand identities.

As well as an election there is another tired old contest about to be re-run this year: the World Cup.   Of slightly more interest, if you’re a techie, is the fact that there are apparently millions of 3D TV sets stock-piled for the event.

2010 is definitely going to be a 3D year.  So here’s another prediction: the first 3D TV ad for a charity. (Heck we might even make it ourselves – any takers?)

To summarize, here’s the whole post in one Twitter-sized bite:  CUTS, unemployment up; income down; online v big; huge change; dead dinosaurs; 3D World Cup: England loses.

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@ 5:20 pm

 
October 27, 2009 at 2:28 pm

Charity video – is anyone watching?

These days, charities are getting a lot of encouragement to have a video presence on the web. Good thing, too.

YouTube, now the world’s second largest search engine, runs an excellent service for non-profits – with the ability to put links in your video that go directly to your website.  It should definitely be considered as part of an effective SEO strategy – rather than just somewhere to shove old DRTV ads and odds and sods of old footage.  Check out Michael Hoffman’s post on the subject to find out why.

One of the most vocal new promoters of video is See The Difference.  If you haven’t sat through one of their infectiously enthusiastic presentations this year – where have you been?  See The Difference, when it goes live sometime this winter, will be a spectacularly shiny environment, with all sorts of bells and whistles, where you can display your charity’s fundraising videos.

It represents what the web is about: fluid communication that allows you to move intuitively from one interesting thing to another, following your whims and hunches, donating a bit here, a bit there?  The only question that keeps nagging at me is whether donors will bother to go there and look.  I really hope they will, because the demo site is seriously cool.

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But – and there is a big ‘BUT’ – people won’t watch your video unless it is emotionally engaging.  No-one will give to your cause as a result of your film unless you have made a persuasive case.  And no-one will want to watch any video online, no matter how worthy, if it’s long, meandering and doesn’t make an interesting point – and fast.

Doing this is simply not as easy as it looks.

If people have got short attention spans nowadays, there’s nowhere they’re shorter than online. (By the way, the optimum length for an online video is between 3 and 4 minutes.)

A while back I met with some lovely people from a medium-sized charity who had just made a See The Difference do-it-yourself-style film.  They opened the laptop and pressed play.  I watched footage, which ran for several minutes, without any voiceover, then stopped abruptly.

Apart from the missing branding and lack of logo (you might easily be left wondering which charity it featured), the missing case for support (who knows what they were actually going to do with your money?), and the fact that in their film everyone seemed pretty happy and healthy (you do have to illustrate some need when you’re fundraising) – it wasn’t too bad a piece (a bit worthy and dull, but not, you know, awful).

Perhaps these were basic errors that many charities would avoid?  I’m not so sure.

The thing is, charities are often so passionate about the change they create, and so convinced of the need, it often makes them incapable of taking a critical view of their fundraising and realising potential donors might need a bit more persuasion.

But consider this: technology has brought production costs down so much now that making a video is within the reach of just about anybody.  This means more and more people churning out their own mini productions (hence the phenomenal growth of YouTube).

Although that’s great for charities, it’s also going to make it harder and harder for your cause to stand out and be noticed.  And it’s also going to get more and more difficult to persuade the average person to give up three minutes of their life to watch your film, instead of someone else’s – not to mention to watch it and donate.

What’s the solution?  An old one I’m afraid.  Unless you’re an expert yourself, find someone who is.  As media channels have proliferated beyond all recognition, certain things have never gone out of fashion: ideas and craft.

No, you don’t have to spend a fortune on film any longer; a home video camera will do (or even a mobile phone).  But you still have to work damned hard to get someone’s attention.  You still have to think.  You still have to use your imagination.

Frustratingly, this can’t be done with a checklist.  Making a film like that is a bit like painting by numbers – it looks like a painting, but it doesn’t make you feel anything.

Moving images are still the most instantly emotive way to connect with people.  Cleverly used they can make you cry, laugh, gasp with amazement and have you diving for your wallet.

So, remember, while you’re cutting costs, that you still need to invest in the skills required to make this medium sing sweetly.  They’re worth their weight in gold (or pounds sterling!).

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@ 2:28 pm

 
October 1, 2009 at 11:43 am

Dear Mr Sample

Not that long ago, if you wanted to make a personal approach to someone, you wrote them a letter.

There’s nothing quite like a letter.  It makes you feel special.  It sounds as if it knows you, about things you’ve done, places you may have been, things you care about.  It feels authentic, civilised and stirs up warm feelings deep within.

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Years ago, when the postman arrived first thing, I used to be genuinely excited to see what he’d brought.  No surprise that a whole industry sprang up with letter writing at its heart: direct mail.

As a schoolboy I learned the power of writing when I, grudgingly, penned my grandmother an inky-fingered thank you letter for her birthday fiver.  The more thank yous I sent, and the more detail I went into about what I’d used her money for, the more fivers she would send back.  Pretty soon I was milking her like a professional.  It’s no wonder that I ended up as a fundraiser.

Now, the post arrives lethargically, around midday, way after I’ve left for work, and I couldn’t be less interested.

So what’s happened?

For one thing, almost nobody under the age of 80 actually writes letters any more.  Instead we prefer email, or the blipvert style of Twitter and Facebook. The envelopes I get are filled mainly with bills, reminders, catalogues and, of course, professionally written begging letters from charities.  Far from being a personal form of communication, the letter has become about as impersonal as you can get.  Little wonder the phrase ‘junk mail’ was coined.

Oh, and those professionally written letters – well (I’m exaggerating to make the point), they all look and sound the same.  The ‘ask’ is always lodged somewhere near the top and repeated at me throughout the letter, lest I should forget what I’ve just read.  There is always a P.S. which reiterates the ‘ask’.  The cause is always urgent (and in bold).  The paper is always unpleasantly cheap and nasty to the touch (ah, the heady days of Basildon Bond).  That term ‘junk’ has been well and truly earned. As for feeling personal and authentic – do me a favour.

So why on earth do we persist in sending mail like this?

Because, surprisingly, it still works. As a method of fundraising there is nothing to beat it – save some kind of once-in-blue-moon TV extravaganza along the lines of Children in Need or Comic Relief.  I saw a mailing from the RSPCA raise over a million pounds earlier this year.  Despite the fact that online is widely understood to be killing print and that the number of letters being posted is plummeting year on year, we are still largely reliant on them as a way of raising funds.

But (there always is one!), although direct mail works, it’s working less and less well.  ROI is down year on year.  Does this mean there’s something fundamentally wrong with the letter?  Is it just because everybody is going online these days?  I don’t think so.  I think it’s us (yes, I take some responsibility).  I think the overall standard of direct mail is getting worse.  And this is driven by an industry-wide belief that the definition of success is doing things as cheaply as possible.

But (good Lord there’s another one!) isn’t Direct Mail by its very nature cheap and cheesy? Jeff Brooks, creative director at Merkle, points out in a post on the Donor Power blog: It’s a near-fatal error in your thinking when your starting point is direct mail is crappy and I wish it would go away. He points out: There’s amazing, empowering, authentic stuff happening in snail-mail every day. Millions of pieces of it. And it’s working. It’s working a lot better than the crappy stuff.

Online evangelists (and I am one) confidently predict that online fundraising will take over – but it’s not going to be a smooth transition.  Charities are going to have to fundamentally revise the way they communicate with their donors.  The whole idea that they somehow ‘own’ donors is likely to fall by the wayside eventually.

In this age of micro-attention spans, the printed word is still hanging in there.  Evidently there is still enough excitement to be gleaned from tearing open an envelope and seeing what’s inside.  Perhaps even just the few moments of peace while you take time to read it.

There’s a real dilemma in all this.  The day is approaching when people will be asked to opt in to receive the unsolicited letters we send them.  If we continue to offer our readers a rubbish diet of the same standard begging letter plus leaflet – how many will bother?

As an industry, we should be trying much harder to stir the imagination, to surprise, to move and to inform people with what we write. We need to dispose of the word ‘junk’ once and for all.  We need to be open to the possibility that spending a bit more to produce something brilliant might be worth it; genuinely worth it – because the ROI will be better, which is the real point.

We should be doing everything we can to invest our letters with pulse-quickening ideas, a sense of poetry and love of language that will make them a real joy to read, as well as trying to cadge a donation.  By the way, shouldn’t we write a little more often without asking for money (it worked wonders with my Grandma)?

Is this a strange point of view for an online zealot like me?  Shouldn’t print just be allowed to die?  I don’t think so.  Not for a second.  It would be a bleak future if there were room for only one form of communication.  After all, variety is the spice of life.

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@ 11:43 am

 
September 8, 2009 at 2:47 pm

Want to change the world? Get a camera crew.

Last night I attended an event called The Goodpitch at Amnesty’s very cool offices in New Inn Yard – just around the corner from beautiful world.

Goodpitch is an inspired idea to bring together what they describe as ‘social-purpose film projects’ (i.e. documentaries) with charities or other organisations whose interests lie in the same area as those explored by each film.

It’s a partnership between Channel 4 BRITDOC Foundation and the Sundance Institute Documentary Film Program in collaboration with Working Films UK.

During the course of the evening, we witnessed a number of case studies including the recent documentary End Of The Line, which has been spectacularly successful in drawing people’s attention to the plight of Bluefin tuna.  The filmmakers had found support, both financial and in kind, from WWF, Greenpeace, and Waitrose among others.

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It is a wonderful example of the persuasive power of film. It has spawned a campaign that urges responsible fishing. It posits the serious possibility of an ocean without fish. Why? Because if we don’t take care, we will simply have eaten them all. The film is still in the early days of its release, but it has already prompted Pret a Manger and a number of supermarkets, and restaurants (with the notable exception of Nobu) to completely revise their fish-buying policies in favour of sustainable species.  It has also attracted the attention of political leaders across the world.

The charities that went out on a limb to support the film in its early days of pre-production, at the same time resisting the temptation to try and stamp their polices all over it, deserve huge congratulations for their far-sightedness.  It looks as though it’s already paying off.

At beautiful world we need no convincing that film (and video) can be a hugely effective way to get your message across.  It’s why we consider it an essential part of our offering.  It is no longer prohibitively expensive.  It’s also something I love.  Indeed I’ve been making films and commercials for longer than I’d like to admit (Fancy a 10 minute break? Have a look at my award-winning short: The Mood.)

There is something visceral about the documentary format. It touches people on a deeply emotional level. To borrow a quote from Maya Angelou: “I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”

If you want to change the world, maybe you should consider making a film about it first – or rather finding someone who already has and riding on the back of that. Or if you’re interested in using video to engage with supporters – give me a call on 0207 739 6136.

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@ 2:47 pm

 
August 19, 2009 at 4:01 pm

Why it’s worth learning to write for Twitter

When I look at my Twitter-stream, I find that there are some people whose tweets regularly stand out. They offer a beguiling mix of information and wit that burst onto my screen like verbal fireworks. Beautifully formed thoughts that give the impression of having just rolled effortlessly off the keyboard.

A friend of mine, Mark Wnek, who moved out to The States to become Chief Creative Officer of Lowe NY, is a masterful Twitter writer.  He’s got a brilliant mind, a razor sharp wit and doesn’t suffer fools. His tweets sometimes read like the verbal assaults of an ego-maniac, but they’re always underpinned by self-deprecation and humanity.  Love him or hate him, his tweets are a joy to read. How the hell does he do it?

Well, for starters he’s a copywriter with 25 years experience behind him. A writer who’s taken years to learn his craft.  If you come from a background of press ad and poster writing, you can’t help but feel at home on Twitter.  (The optimum length for a poster headline is 6-8 words.)

For the would-be Mark Twain of Twitter there’s a lesson in this: follow the right people. Make sure you read at least some top quality tweets each day for inspiration.

But, like the spoken word, tweets barely even exist before being swept away by a never-ending torrent of newer posts.  Does it really matter what you write? Well, unless you’re happy talking to yourself, yes it does.

So, what makes a good tweet?

It’s a remarkably difficult question to answer.  Inevitably, it’s a combination of factors: brevity; wit; interesting information; timing; personality.

If you have  established an engaging tone of voice, then a few words from you can have a huge impact.  Stephen Fry, for example, sounds witty saying almost anything.  Easy if you’re him, but since you’re not, you’ll have to work at it.

If you’re tweeting on behalf of your charity, you need to ask yourself:

1. Are your tweets the optimum length?
2. What should the mix of messages be?
3. How often is it okay to ask for support?
4. How do you write a tweet that will get re-tweeted?
5. How do you track your tweets?

(Answers at the end.)

There are some tweeters who come totally left of field.  One of my favourites is Drsamueljohnson.  He (or she?) writes every tweet in the style of the esteemed 18th century author.  Believe it or not, it works.  The tweets are unmistakable and often hilarious.

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One of the ways to become a good writer on Twitter is to become a good listener.  What I mean by this is learning to spot subtext.

There is a constant stream of people ready to denounce Twitter for being banal.  Even Ken Burnett recently, rather wickedly, described Twitter as ‘drowning in a sea of trivia’.  He was being deliberately provocative, I know, but the point I want to make back to Ken is: learn to read between the lines, you’ll get a lot more out of it.

For example, I saw a tweet the other day from someone who’s a real social media ‘pro’, which read (I’m paraphrasing):

“Goodness it’s 3.30, where has the time gone?”

Can you get more trivial than this?

Think about it again.

This is a guy who keeps up a pretty constant stream of tweets and has a huge following.  He’s been off air for hours.  His tweet is telling me that he’s back (sorry if he ignored me in the interval); he’s telling me that he’s up for a chat; he’s telling me that he’s been incredibly busy; he’s saying hello.  Trivial?  I don’t think so.

There is another reason it’s worth honing your craft when it comes to Twitter writing.  It will make you a better writer – period.  Being brief, concise, witty, attractive and informative all leads to writing that is more effective.  If you can write for Twitter, you can write for anything.

Now, back to those questions I posed earlier.  You can get the answers to all of them, plus a whole heap of really useful tips, at Writing For Twitter, the course I’m running on 5th October.  Hope to see you there.

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@ 4:01 pm

 
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